{"id":3844,"date":"2022-03-15T23:28:02","date_gmt":"2022-03-15T23:28:02","guid":{"rendered":"https:\/\/dioezesanmuseum-rottenburg.de\/?p=3844"},"modified":"2022-08-18T13:59:07","modified_gmt":"2022-08-18T13:59:07","slug":"katarina-baumann","status":"publish","type":"post","link":"https:\/\/staging.dioezesanmuseum-rottenburg.de\/en\/katarina-baumann\/","title":{"rendered":"Katarina Baumann"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”181937″]Installation (2021)
\nText \/ Digitaldruck auf PVC
\n250 \u00d7 500 cm<\/p>\n

Die Frage nach dem Verh\u00e4ltnis von Kunst und Theologie wurde in meiner Arbeit immer gewichtiger. Aus der Erfahrung der Unumgehbarkeit von theologischen Ansichten im Kontakt mit Kunst erwuchs fu\u0308r mich die Frage: Ist sie Teil der k\u00fcnstlerischen T\u00e4tigkeit? Und in wie fern betrifft diese Korrelation mich heute noch?<\/p>\n

Ich begann eine Recherche \u00fcber das Kunst-Theologie-Verh\u00e4ltnis. Auf der Suche nach einer M\u00f6glichkeit, beide Felder zusammen zu denken, stie\u00df ich auf einen Entwurf von Bazon Brock, der mir sehr hilfreich erschien. Brock zeichnet eine Verwandtschaft anhand von gemeinsamen Begriffen und ihrer Geschichte nach. Ich transkribierte das Streitgespr\u00e4ch aus dem Jahr 2007, in dem er diesen Entwurf \u00f6ffentlich vorstellt. Es ist ein fragmentarisches Transkript, ich greife deutend ein, da ich lediglich die Teile stehen lasse, die den Entwurf seiner Kunsttheologie betreffen. Ich ging der Idee der gemeinsamen Begriffe weiter nach, und transformierte den Entwurf insofern, dass ich dazu u\u0308berging, allgemein nach Begriffen zu suchen die ich in den \u00c4u\u00dferungen von TheologInnen und Ku\u0308nstlerInnen wiedergefunden habe. Es entstand ein Glossar von gemeinsamen Begriffen, die ich dann nach meinen Sinnkriterien neu anordnete und in Verbindung setzte. Die einzelnen Begriffe werden gro\u00dfteils begleitet von Fragmenten, denen ich aus dem Meer an Wissen zu dieser Thematik gegenu\u0308ber stand. Diese Fragmente w\u00e4hlte ich nach drei Kriterien aus:<\/p>\n

a) Fragmente, die eine theologische Verwendung des Begriffs dokumentieren
\nb) Fragmente, die neue Perspektiven fu\u0308r mich auf den Begriff er\u00f6ffneten und
\nc) Fragmente, die meine Vorstellungen von den Begriffen und ihrer Bedeutung unterstreichen.<\/p>\n

Diese textliche Arbeit ist eine ausdr\u00fccklich subjektive. Immer aus meiner Arbeit heraus formuliert, versuche ich, mich zu diesem Sachverhalt innerhalb meiner k\u00fcnstlerischen T\u00e4tigkeit zu positionieren. Der Text setzt sich aus verschiedenen Textarten zusammen. Frei formulierte Teile, Zitate, ein vollst\u00e4ndiger Essay von Georges Didi-Hubermann, das ver\u00e4nderte Transkript des Disputs zwischen Bacon Bock und dem Theologen Friedrich Wilhelm Graf, ein von mir entwickelter Glossar sowie W\u00f6rterbucheintr\u00e4gen.
\nAuch wenn der Text formal den Kriterien einer Wissenschaftlich angelegten Arbeit entspricht, erweist er sich selbst als ein innerer Monolog, der seinen eigenen Sinn-Zusammenh\u00e4ngen folgt.<\/p>\n

Text: Katarina Baumann[\/vc_column_text][vc_gallery el_id=”gallery-652313″ medias=”4579″ dynamic=”yes” dynamic_source=”featured” gutter_size=”0″ media_items=”media|lightbox|original,icon,title,caption” screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_width=”12″ single_overlay_opacity=”50″ single_v_position=”bottom” single_padding=”2″ single_icon=”fa fa-expand2″ single_border=”yes” uncode_shortcode_id=”433713″][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”101294″][vc_button border_width=”0″ link=”url:https%3A%2F%2Fstaging.dioezesanmuseum-rottenburg.de%2Fvulnerable-preistraegerinnen%2F%23preistraegerinnen|title:VULNERABLE%20Preistr%C3%A4ger%3Ainnen” uncode_shortcode_id=”762645″]Preistr\u00e4ger:innen[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

DIE RELATIVEN<\/p>\n","protected":false},"author":1,"featured_media":4592,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[92,96],"tags":[],"class_list":["post-3844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vulnerable-preistraeger","category-vulnerable-preistraeger-foerderpreis"],"acf":[],"yoast_head":"\nKatarina Baumann - STAGING: Di\u00f6zesanmuseum Rottenburg<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Katarina Baumann - STAGING: Di\u00f6zesanmuseum Rottenburg\" \/>\n<meta property=\"og:description\" content=\"DIE RELATIVEN\" \/>\n<meta property=\"og:url\" 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